Alcheringa Gallery
665 Fort Street
Victoria, BC, Canada
TEL: (250) 383-8224
FAX: (250) 383-9399
email alcheringa
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 Andrew(Wanambi) Margalulu
Djinang Language Group
Ramingining, Central Arnhemland,
Born in 1959 Aboriginal artist Andrew Margululu’s work predominantly embraces the journeys of the Wagilag Sisters' story, an important Aboriginal creation myth. His work also addresses the spirits who hunt honey and the country they established along the way.
In 1989 Margululu was the first artist from Ramingining to produce a large bark for the Kluge Ruhe Collection, an important collection of Aboriginal Art commissioned by the University of Virginia in the United States. By producing the first major painting of a exceptional standard, Margalulu was instrumental in setting a high precedent for the other artists involved in this prestigious project.
Djon Mundine, a respected curator and author on indigenous Australian art describes the Australian landscape as being full of signs, a comment which also applies to Margululu's artwork. Marrgalulu has not only mastered the traditional medium of bark painting, but, in collaboration with printmaker Theo Tremblay, produces stunning contemporary prints.
Andrew Margalulu was one of the key artists to participate in the first print workshops at Milingimbi, held in 1996. Here he modified his traditional designs to suit this new medium, successfully refining and exploring new possibilities. He responded particularly well to lithography. The shift from painting to making fine art prints proved less of an issue for him than his desire to maintain his cultural traditions through his artwork.
In 1997 Margalulu was one of the artists who participated in a series of workshops held in Ramingining, directed by Theo Tremblay. In these workshops the artists produced an important series of prints called The Ramingining Print Suite. This suite was based on the Wagilag Sisters’ creation story and represented a unique collaboration by celebrated Aboriginal artists. Margululu was also commissioned to produce a painting for the Federal Airports Corporation which is on permanent display at Darwin airport.
Subjects and Themes
Subjects are Yarrpany (Dhuwa moiety honey), catfish, bream fish, Mewal honey spirit, sea snake, water goanna
Collections
Australian Museum, Sydney
Kluge Ruhe Collection, Charlottesville, USA
Museum and Art Gallery of the Northern Territory, Darwin
National Gallery of Australia, Canberra
Tropenmuseum, Kindermuseum, Amsterdam
Group Exhibitions
1983 Australian Perspecta, Art Gallery of New South Wales, Sydney
1984 Aboriginal Art, an Exhibition Presented by the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra
1987 Bark Paintings from Ramingining, Birukmarri Gallery, Perth, WA
1989 Aboriginal Art: The Continuing Tradition, National Gallery of Australia, Canberra
1990 Ramingining Art, Birukmarri Gallery, Fremantle
1992 Art of the Spirit, Gold Coast City Art Gallery, Surfers Paradise, Queensland
1994 The Eleventh National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
Bibliography
Isaacs, J., 1984, Australia’s Living Heritage, Arts of the Dreaming, Lansdowne Press, Sydney(C)
NT News, 27/12/1993, p. 6
1983 Australian Perspecta 1983, A Biennial Survey of Contemporary Australian Art, exhib. cat., Art Gallery of New South Wales, Sydney
Art from the Land: dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art, ed. by Howard Morphy and Margo Smith, University of Virginia 1999
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Pieces by Andrew(Wanambi) Margalulu:
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